Ubrania - Manga, Manga

[ Pobierz całość w formacie PDF ]
Clothing and Folds Tutorial
Basic folds
The most
important thing to
consider whenever
you are drawing
clothing or any
type of fabric is the
direction the fabric
is going to be
pulled in. Folds
are caused
wherever the
fabric is being
stretched or
pulled; figure out
how exactly you
want the fabric to
move, and the rest
is pretty easy.
Always remember
to consider the
figure beneath the
clothing; the cloth
should reveal the
shape of the figure
beneath. I'll go into
more detail on this
later.
At the left are some examples of basic types of folds. Notice the movement of each
example shown; the fabric flows downward on the top left two, for they are being
pulled down by gravity. This type of fold would be on something that hangs loosely,
such as a cape or long shirt. On the lower left and upper right examples, the fabric is
not only pulled by gravity, but stretched to the left (probably by an arm that is
underneath the clothing). The folds become more horizontal than vertical the further it
is stretched. Also notice how sometimes the folds are nested within one another. This
will often occur at joints or areas in which loose clothing is bunched up. The lower
right picture is a slightly more complex example of a more inert piece of cloth being
pulled in a viarety of directions. Notice how the folds follow the direction that the cloth
is being pulled in.
Here are a few more examples of basic fold shapes. On the left, the cloth is being
pulled downwards by gravity and to the right by wind or motion. One the left, the long
strip of cloth is bunched up
near the top. Remember to
use shading to give your
subjects more form.
Generally, you shade along
a fold line, or on any places
that you think a shadow
would be cast. This takes
some getting used to. It
helps to look at actual folds
sometimes to see where to
shade. Sometimes, I'll
sketch the drapes or a
towel hung over a chair just
to practice and get a better
feel for how clothing is
shaded.
Here are a few more
random examples, of a bow
and some sleeves. The
most important thing to
note here is the shape of
the folds at the joint of the
sleeve in the middle.
These are some more complex,
overlapping and nested folds. The more
detail you put into it the folds, the more
interesting it will look. On the left, notice
how the fabric bunches up where it is tied
together; the weight of the fabric pulls it
down and causes extra creases and folds
to form where it is gathered together. The
tie itself is drawn with lots of detail, and the
cloth beneath it blows loosely in the wind.
The fabric is shaded around the folds and
in the crevasses formed by the cloth. On
the picture to the right, a length of fabric is
draped upon the floor; notice how the folds
nest in one another and overlap, creating
an interesting effect.
Another thing I want to point out is the
thickness of the fabric in question. The
fabric on the top example appears thinner
than the fabric in the lower example. Take
note of both collars. On the top, the circular
rim of the collar connects directly to the rest
of the collar, while on the bottom, there is a
space between the circular rim and the
vertical part. The same applies to the edges
of the cape. While on the top example, the
edge is crisp and thin, on the bottom
example there is extra space between the
rim and the rest of the cape. This extra
space makes the clothing look more thick
and heavy.
Various clothing
Now that we know a few of the basic shapes of
folds in fabric, let's move on and see how clothing
should look when it is actually being worn by
someone. At the left, we have an example of a
very loose, draping sleeve. As mentioned before,
the main thing to consider is which direction the
fabric will be pulled. The sleeve here is being
pulled in two main directions: downwards
because its pulled by gravity, and to the left
because its attached to the main garment and is
being stretched across the arm and torso. The
folds in the sleeve will follow the direction that the
cloth is being pulled. Notice also how the cloth
bunches up around the wrist. This isn't
necessary, but it does indicate the length and
looseness of the sleeve.
Here are three more sleeve examples.
These sleeves are not as loose as the one
shown above, and all stick pretty close to
the arm. In these examples, the cloth is
stretched from the arm to the shoulder and
torso, rather than being pulled down mainly
by gravity. There isn't enough material to be
pulled down too greatly. Since the fabric is
pulled horizontally, the folds should reflect
this. The best example is the top picture
here; notice how the folds move towards the
shoulder instead of towards the ground. The
sleeve in the middle picture is a little looser,
and is pulled down by gravity more. The
sleeve in bottom picture is big and loose,
but is rolled up at the elbows, and thus
doesn't hang and droop as much as the
sleeve in the previous example.
These are some
miscellaneous bits of clothing
that didn't fit into any of the
other sections of this tutorial,
but that I wanted to include
anyway. In all these
examples, try to identify
where the cloth is being
pulled towards and in what
direction (for example, is it
being pulled roughly towards
the shoulder, or draping
loosely over the subject?).
Always remember to shade
wherever the light doesn't fall,
such as grooves, areas inside
the folds, and places where
the cloth overlaps.
One small but important thing I would also like to go over
before continuing is the effect that stripes can have. If you are
drawing clothing that has stripes or a pattern on it, make sure
that the pattern moves along with the rest of the fabric. Where
the cloth bends, the stripes and patterns will bend, as well.
This can be difficult to draw and shade, especially when you
are dealing with complex patterns, but it can add a really nice
three dimensional look to your picture.
[ Pobierz całość w formacie PDF ]

  • zanotowane.pl
  • doc.pisz.pl
  • pdf.pisz.pl
  • emaginacja.xlx.pl

    •